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Full text of "A History of German Literature"
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The LiederNet Archive. Mich wundert, ob ein andrer Die beiden zumal vernimmt? This website began in as a personal project, and I have been working on it full-time without a salary since The meeting with Stolberg's work was to bear more interesting fruit in later years, and the same may be said of the amateur poetry of Schubert's friend Baron von Schlechta which the composer set over an eleven-year period, and much more significantly than here.
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Once the danger of the Hundred Days was over, when Napoleon returned from Elba to be defeated at Waterloo, this poet, for all his attractive qualities and his personal friendship with the composer, seemed part of a younger phase of hero worship. There are also other poets — Baumberg, Fellinger and Stoll, to name but three — who did very well by the composer in ; we, the listeners, have also gained by these short musical liaisons and the beautiful songs which resulted.
We might wish that Schubert had re-encountered these poets in later years, and it is not impossible that he too would have met them again with joy. But the fact is that he did not.
The elusive presence that hovers behind any study of Schubert's predilections for his poets is that of chance, and how large a role it played. We shall never know which writers the composer actively took against after a period of enthusiasm — tired or bored with a poetic voice which had exhausted its use to him — or whether he turned to something else to set to music simply because he had run out of material.
Schubert scholars would give much to understand exactly what the composer looked for in a text we would have to inhabit his musical mind in order to do so but the biggest lesson we can learn is that the fantastic range of his literary sympathies cannot have been governed by chance alone.
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We may get the impression of promiscuous reading in haphazard fashion, but, as in everything else related to the creativity of this particular genius, there is a great deal more order and control in the seeming shambles of his life than we had at first thought. Schubert is like the man with an untidy desk piled high with papers who, contrary to what one may think, knows exactly where everything is.
On this, as on every other issue involving his music, we cannot second-guess a man who somehow or other has provided us with a work-list which forms an astonishingly comprehensive anthology of poetry both ancient and modern as well as local and international. It pertains to his own time and background in Biedermeier Vienna and is also timeless in its immortality and significance when it comes to the exalted work of Goethe and the great German writers who preceded him. Surely this gives us the best of both worlds; Schubert's choice of literature has been governed by a wonderful balance of Austria and Germany, as well as of heart and mind.
It also implies a range of reading which betokens a young connoisseur who is limited only by what is permitted him by his country's censors.
argo-karaganda.kz/scripts/cirariwi/364.php It is little wonder that early in Josef von Spaun conceived an ambitious plan to launch Schubert into print with a series of publications which would arrange the composer's best songs into volumes arranged according to the poets. Book file PDF easily for everyone and every device.
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